Subterranean Wavelength


Experimental | Alternative | alternative pop | Indie | Hip-Hop

Subterranean Wavelength


this all female-compilation of south african alternative and experimental music is what your ears need right now

December 11, 2017
276 Picks

Xannthe Cupido’s Subterranean Wavelength is quickly gaining a reputation as a home for underground music that seeks to actively break boundaries. Their latest project is a 10 track compilation that gathers together a collective of female artists from across South Africa. Tides offers a wave of talent ranging from dreamy indie pop to experimental hip-hop, folk-inflected soul to electronica, and it is so future looking the qualifiers to describe it haven’t been invented yet.

Like the best compilations, there’s a little something for everyone. Highlights like Umaah Screaming Sun’s “Wind Whistle,” Kajama’s “What We Came For,” Marley Bloo’s “Mimes,” and of course compilation curator Tribal Rebel Ludi’s own contribution “Luminance,” deftly balance the past and future. They pull inspiration equally from ancient traditions and the sharpest bleeding edge of the underground. The infinite possibilities of a laptop are anchored by the weight of history in a way that’s at once grounded and exhileratingly free. But if your interests range more towards the poppy with the experimentation kept as color, Floors’ “Leap” and “Family Tree” from Symphonica offer a lot to love.

Xanthe explained in a statement to OkayAfrica: “In a nutshell the project is a celebration of women who engage in the more left-field soundscapes in South Africa. The idea was also to highlight the presence of such women and that incredible things can be achieved with the absence of masculinity. The concept of “Tides” speaks directly to the notion of going through different motions of being a woman. It speaks of music (sound waves) , turbulence, consistency as well as the highs and lows of consciousness.”