Art
art hoe collective: self care in the black community in the midst of all this anti-black violence
Who mourns every day for strangers as if their own brother was killed? Who lives in constant fear for loved ones, strangers and for themselves? Who tenses and prepares for the worst every time they hear the words “did you hear about…”? The black community.
The pain that we, as a community, feel with each black person murdered isn’t new by any stretch of the imagination. Racism, manifesting in various ways, has been a truth that we’ve had to live with for centuries. Black American communities mobilized and fought back with the civil rights movement and the Black Panthers, but unsurprisingly we were beaten into submission. In the decades that followed, Black people have been silenced and told – often convincingly – that everything has been made better, fixed, perfected. This generation – our generation – was raised primarily in an overarching, falsely founded state of “colourblindness”, where our experiences are ignored, our calls against discrimination are rejected outright. And believe me when I say our oppressors are happy with this. Our claims were easily refuted because we no longer had a firm call for justice to collectively stand behind. There were no eyes on our oppression, no vocabulary to explain our discomfort, no language to speak on the dangers of micro aggressions, no platforms on which to display macro aggressions, and no way to spread information amongst ourselves.
Maybe this made our oppressors too complacent, but they made a mistake – underestimating how deep our rage was. In the 2010s we started reporting and recording crimes against our community, specifically executions by police. Finally we had something that wasn’t as easily ignored and we quickly rallied behind it. With a bright light shining collectively on our oppression and especially on the police and policy makers, we were made aware of how overt the violence against us had become. We could no longer blame our ignorance on the darkness – now it was light out.
I once heard that a black man is killed every 28 hours and that over 130 black people have been murdered by police since the start of 2016. This, for me, was a call to action. Immediately we ran to the internet to share the injustices; we organized and attended rallies and protests; we uploaded videos of police brutality in places where they could no longer be ignored. We stood and sat in for each other, for strangers, for our loved ones, for our friends and for ourselves knowing that at any moment we could be next. It became painfully clear that from one day to the next, the mourners could become the mourned.
What we may have forgotten to do was remember that while shouting that we’re human and have the right to live, at the end of each day we are human and a person can only take so much devastation before they break. We forgot to tell our friends that they aren’t obligated to consistently post about the murders or attend every protest. We forgot to tell them that they’re allowed to smile and live a regular life. We forgot spend extra time with our mothers and our fathers to calm their fears that the next time we leave our house, we may be shot dead in the street. We forgot to that our activism doesn’t always have to be on. We are allowed to take a break from rage and mourning.
Living every day in fear or rage or grief is mentally deteriorating for anyone, and spending each day riddled with these feelings does take an enormous toll on our mental health. It’s natural to feel guilt every time you laugh and then remember that a black woman was killed last night. It’s easy to say to yourself “Tamar Rice was just a child and never deserved to die,” while forgetting that you deserve to live with joy. It’s hard to be “carefree” when the struggles of our people confront us in a million ways every day. But it is important.
You’ve not forsaken your murdered brothers and sisters by watching a movie instead of attending a protest. You’re not betraying a mother in mourning because you had a good day and felt joy. Neglecting to take a break from the heavy focus on our murders and devastation is what leads to serious depressions and psychological breaks. Self-care within the black community is almost unheard of, and the result is scores of us suffering much more than necessary. We must realize that not only are we fighting this fight for the right to live without fear of death, but that we’re also fighting to enjoy that life – to be healthy and happy.
In case you were waiting for it, this is your official permission to actively love yourself and put your mental health first. I want you to laugh and enjoy the life you’ve been given even in the midst of great sorrow and oppression. You are loved and worthy of peace.
By Jam of Art Hoe Collective*, AFROPUNK contributor
Ebony S. Watson
IG: @_ebonysade_
pronouns: she/her
East Indian/Black/Puetrorican
I love myself and anyone that looks like me and I’m not apologizing for it.
Melissa Obi
Instagram: @melissobi
She/ Her, Nigerian, 17 y/o
The name of this collage is Where Was All Lives Matter Before Black Lives Matter?
I created this collage in the style of Robert Rauschenberg to convey my disgust at the statement, “All Lives Matter”. By linking the Black Lives Matter movement to the Civil Rights movement, I attempt to to emphasize that those who chant “All lives matter” are no different from the ones who were against black rights during the Civil Rights Movement. This piece also has the message ‘All lives didn’t matter until black people started loving themselves’. Furthermore the college displays the restriction that ‘all lives matter’ has over the voices of BLM protesters. By responding ‘All Lives Matter’, the attention meant for the injustice the black people face is snatched away. This is conveyed through the image of the white hand covering the mouth of the white person.
This is all just very frustrating so I put my frustration into art.
Ebony S. Watson
instagram: @_ebonysade_
pronouns: She/Her
East Indian/Black/Puertorican
A few weeks ago I saw a truck with a Confederate flag standing up in the back bed and my heart started racing. The boy in the driver seat was white, he looked my age. It was broad daylight, there were tons of people around, and I feared for my life. It’s scary not knowing “how serious” people or situations are going to be. Do I assume this boy is racist? Maybe it’s not his, maybe it came with the truck. The point is that he has no problem with it being there for everyone to see. That flag represents a lot of hatred and brutality for people like me: people of color. And here we are, 2016 and it’s still blowin’ in the wind. I never go out at night alone because I’m terrified. I’m not terrified of what my happen, I’m terrified no one will care.
Tim Short
instagram: @culturedstruggle
He/Him
African American / Black
Age: 23
“Night Lights (Mind)”
46″ by 52″
Oil on canvas
With this painting, I hoped to illustrate how secluded spaces for Black folks away from a policing Whiteness or gaze is necessary for healing from traumatic experiences. Blackness is emphasized by the darkness enveloping the figures with eerie lighting illuminating the space. There are multiple selves of the same subject in conversation with each other alluding to intimate dialogue in private spaces amongst Black people. The centralized figure as well as the figure at the bottom right are either opening or closing the door to a hyper-bright light (Whiteness) – signifying either closing or opening the space to Whiteness and starting or ending the space’s safe, restorative healing. My work generally is becoming more about reclaiming and reframing negative associations with Blackness away from White critique by portraying Black bodies inhabiting and thriving in hyper-dark spaces away from hyper-bright light.
Art Hoe Collective Instagram
Art Hoe Collective Tumblr
*Jam’s Instagram
Mars’ Instagram
Sandra’s Instagram
Gabby’s Instagram
Get The Latest
Signup for the AFROPUNK newsletter